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MOTORPSYCHO "Let Them Eat Cake" (Eclectic Prog, 2000) by Lewa

4/5 STARS -

Ridiculously well instrumented, melancholy, crazy psyche pop.

"Let Them Eat Cake" sounds different to any other Motorpsycho album I've heard. Out of their discography, I'd say it is most similar to the Fishtank session, they did with Jaga Jazzist. But still, "Let Them Eat Cake" is a lot more poppy and less jazzy than "In The Fishtank".

Uncharacteristically, this album is not heavy at all. The overall atmosphere is extremely laidback, melancholy, even a little gloomy. This feeling is conveyed through drifting, croaky vocals that sound laconic most of the time. At least three people share the duty of lead vocalist on this album. It doesn't really matter though, as they all use a similar melancholic, croaky style. The guitar work, that is often acoustic and soft, understated but varied, adds to the melancholic feel. Melodies are important on this album. The vast majority of them are harmonic and beautiful, the vocal melodies often sound deliberately simple. The album has a slightly hippy and very retro feel to it. It borrows heavily from 60/70 pop music, mainly from psyche influenced bands, but jazzy elements are present, too. Half a dozen bands come to my mind whenever I hear this album, everybody from the Beach Boys and the Beatles to the Allman Brothers, Grateful Dead, Pink Floyd and Brian Eno. I find the album anything but boring though, mainly due to the incredibly varied instrumentation. I heard at least violins, cello, contrabass, trumpet, horn, trombone, saxophone, clavinette, piano and Fender Rhodes. Above, the site lists even more instruments, which I didn't even recognize (or was unsure of).

The opener The Other Fool is a contemplative, mid tempo song that starts out with a beautiful string quartet melody. The strings - as well as trombone and trumpet - continue to accompany electric and acoustic guitar, bass and laconic hippy vocals. The track contains an understated twang guitar solo as a middle part, before it ends in the same vein it began.

Upstairs-downstairs is a very slow, tranquil acoustic ballad. The brass section and strings flood the song with beautiful, soft melodies until the rest of the band becomes quite unimportant.

Big surprise is a melodious ballad that features staccato piano and harmonic singing with a "papapaah" chorus à la Beach Boys. The vocal melody sounds rather simplistic, almost like a children's tune. It is sung like one, too, in a way, that makes clear this was intentional. The track sounds quiet tongue in cheek to me, though some listeners might not like the intentionally amateurish feel to the singing. Even though the song features simple, poppy vocals, it is notably well instrumented (piano, Fender Rhodes and moog, I think) and played.

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